Category: Movies and Television

  • Wii + Netflix = geek rapture

    forget the Singularity (bah, humbug) – the real moment of transcendence approacheth. I just saw via @arstechnica that Netflix discs for Wii owners are being shipped out. Should have mine by next week!

    This is bad news for Roku, because I was literally about to buy one when I first learned of Netflix on Wii. I still might be persuaded to buy a popbox eventually, but the Netflix/Wii combo will suffice for some time.

    UPDATE: I just got the email from Netflix – my disc will arrive tomorrow. Don’t forget to grab yours at http://netflix.com/wii for free!

    Also – the Netflix blog has a cheery blurb:

    Jessie Becker here from Marketing and we’ve got some great news to share. We are in the final phase of getting ready for the launch of streaming to Wii. Today, we shipped out instant streaming discs for the Wii to some of our Netflix members. Their feedback will ensure that we deliver a great experience to everyone when we launch. Instantly watching movies and TV episodes from Netflix via Wii will be available soon at no additional cost – all you need is a Netflix unlimited plan starting at $8.99 a month, a Wii console and a broadband Internet connection. If you have reserved your disc already, you don’t need to do anything – we will send you an email as soon as we ship the disc. If you haven’t, reserve your disc today at www.netflix.com/Wii and stay tuned for a launch announcement!

  • Firefly rewatch

    Tor is doing a Firefly rewatch and they have the first episode (“Serenity”) up. Reading the plot synopsis really brought back the sheer density of memorable events – I think the reviewer is right that in many ways, “Serenity” the episode made for a better movie than “Serenity” the movie. Then again, part of what made it work as a pilot was the fast pace. Were it a full hour longer, would it have been as effective? They’d have had to pad some and slow it down some, and that could have hurt.

    I like the detailed character analysis, invoking various archetypes:

    Mal is wonderfully convincing. The Knight in Sour Armor is pulled off wonderfully with him, especially as it can be questionable with just how much good really is still in him. Yes, he is a man of honor in a den of thieves, but he nonchalantly killed Dobson and dumped the body simply because he did not have time to deal with it. Not the sign of exactly a moral person that has just given up on ideals.

    Zoe is actually pretty flat in the pilot. She is the stalwart second in command from her first moment on screen and sticks to it the entire time. You get a little depth on her with her interactions with Wash, but those are really far more building for him than her.

    Which brings us to Wash and three words: Witty Comic Relief. When a man’s opening scene is with plastic dinosaurs at a spaceship’s helm, you might think he is there for pure silly, but he manages to throw in enough snark to be witty instead. I also love his husbandly concern, both in pleading with Zoe to stand up to Mal and when he is talking to Simon. Wash is a person, and that is all there is to it, perhaps the most balanced and “normally relatable” on the ship.

    Jayne, on the other hand, is the crass, silly comic relief. Yes he has his dangerous, redneck moments, but, especially in the pilot, he is there to be the dumb, funny, gun-totting hick. He serves as a foil to Mal, and does so faithfully well. I love him later in the series, but here, he is really just a secondary.

    Kaylee. Nuff said. OK, not really, but I will give even more full disclosure and say that if I was a fourteen year old boy, there would be a huge poster of Jewel Staite in my bedroom. Now that we are past the creepy, Kaylee is the female counterpart to Wash on the ship. She is centered and relatable, and she serves as the Earth Mother. She is open and honest and sees through to the real side of people (except for Dobson, I guess, but no one is perfect). And she’s a hot girl who’s a grease monkey. There’s that too.

    Inara, I imagine, is who most boys have on their walls, despite their ages. I will admit, she plays the courtesan-geisha amazingly well, with both her role as ship’s counselor (even the preacher goes to her for benediction) and moral compass. I also enjoyed that, on a network television show, we had a main character who was able to show sexuality as something positive and wholesome, and on Fox at that. Her mild romantic tension with Mal is already well established here, and I am sure the shippers rejoice at something to ship over. I, for one, enjoy the dynamic it adds to both of them.

    Book is very quickly made into a mystery for us. He goes from slightly awkward preacher to ninja in point-three-five seconds flat, and then back to a somewhat unsuspecting preacher. I know that, with the movie, some have speculated that he was once an Operative, but thus far, nothing is solidly canon, so we can only guess. His moral conundrum was delivered quite well, though.

    Simon’s mislead as the villain was actually really good, ’cause it got me the first time I watched this, and I had seen the movie (albeit I couldn’t remember anything beyond River killing everything). His stiffness is well played for the rich kid who doesn’t really know how to be a fugitive, and bumbling Dobson had completely thrown me off too. Later, once Simon starts to open up to the crew, he really does an amazing job of being the protective big brother that gladly and willingly gave up everything for his sister. Still, he never completely shrugs off that dangerous aura about him, and we as the view can just tell there is more to him than meets the eye. After all, he did jump off a catwalk to save River.

    And then there’s River. River is really just a Mac Guffin in this episode. She’s damaged goods, hysterical, and who knows what she’s going to amount to. So for now, Hi River, Bye River.

    Of course these are from the series pilot. It’s amazing just how much each of these characters were fleshed out over the course of the series, despite it being truncated. Of them all, I think Jayne is the one with the most effective character arc, with Zoe coming in second. All the others, you basically have a good sense for who they are from the pilot alone, which is a mark of good storytelling (especially since despite being true to their core, they were never boxed in, like poor Ensign Kim on Voyager). It’s hard to do an ensemble where everyone is introduced, and then everyone is given a chance to shine. Firefly easily achieves this feat in the first episode.

    My favorite scene: the scene of everyone laughing at Simon’s expense. My favorite line: “Well, you’re a dummy.” My favorite visual: the aerial dogfight with the Reaver:

    vlcsnap-10528903.png

    I took some other screenshots from the pilot episode a while back that also really bring back fond memories… what a great show. Sigh.

  • Galactica news, good and bad

    The great news: another Galactica TV series is in the works. And Caprica renewed for another season. With Caprica and SGU, I’m really set to enjoy a summer of sci-fi (on Syfy).

    The horrible news: They are still serious about a reboot of Galactica as a movie. Helmed by Bryan Singer of the “I had a chance to reboot Superman and made it lame” fame.

  • the battle for the box

    The Set-top Box Wars continue. Amazon is offering $20 in video download credit to anyone buying a Roku XR or Roku HD until March 31; the Popbox is due to be released in a few weeks (here’s a hands-on demo at SXSW); and now Google is getting into the act with hardware built by logitech and running Android and Chrome. Oh and don’t forget Boxee.

    It’s starting to feel like that scene in Moscow on the Hudson where the guy collapses while trying to choose coffee (one of only two scenes I remember from that movie). Just like cell phones, I’m basically paralyzed by (as yet unreleased) choices. I do have my Netflix Wii disc preordered (which was free, admittedly).

    Incidentally, I’m still waiting for a Certain Otaku to review his Popcorn Hour. You know who you are 🙂

  • Back to Middle Earth this July

    Filming for The Hobbit (parts 1 and 2, back to back) begins in July!

    On his website, Ian McKellen, who plays the wizard Gandalf, announced that “The Hobbit’s two films start shooting in New Zealand in July. Filming will take over a year. Casting in Los Angeles, New York City and London has started. The script too proceeds. The first draft is crammed with old and new friends, again on a quest in Middle Earth. The director Guillermo del Toro is now living in Wellington, close to the Jacksons’ and the studio in Miramar.”

    In another report from New Zealand, an insider says The Hobbit will be filmed in 3D.

    Remember back in the days they were filming LOTR, when we would obsessively reload TheOneRing.Net? good times. I don’t think I have the same compulsion this time around.

    Worth noting that the “official” movie blog for The Hobbit hasn’t been updated in over 2 years.

    And while we are talking the Hobbitt, it should be noted that Sir Peter Jackson is no longer fit to play a cameo role.

  • star-trekkin’ across the universe

    Sometimes there’s a visible gulf between geekdom and academia, despite the stereotype of these two realms being congruent. I am reminded of this gulf by this odd story about a paper by William Edelstein, a senior and distinguished physicist (in my own field of MRI research), who has calculated the lethality of interstellar travel:

    Interstellar space is an empty place. For every cubic centimetre, there are fewer than two hydrogen atoms, on average, compared with 30 billion billion atoms of air here on Earth. But according to William Edelstein of the Johns Hopkins University School of Medicine in Baltimore, Maryland, that sparse interstellar gas should worry the crew of a spaceship travelling close to the speed of light even more than the Borg decloaking off the starboard bow.

    Special relativity describes how space and time are distorted for observers travelling at different speeds. For the crew of a spacecraft ramping up to light speed, interstellar space would appear highly compressed, thereby increasing the number of hydrogen atoms hitting the craft.

    Worse is that the atoms’ kinetic energy also increases. For a crew to make the 50,000-light-year journey to the centre of the Milky Way within 10 years, they would have to travel at 99.999998 per cent the speed of light. At these speeds, hydrogen atoms would seem to reach a staggering 7 teraelectron volts – the same energy that protons will eventually reach in the Large Hadron Collider when it runs at full throttle. “For the crew, it would be like standing in front of the LHC beam,” says Edelstein.

    The spacecraft’s hull would provide little protection. Edelstein calculates that a 10-centimetre-thick layer of aluminium would absorb less than 1 per cent of the energy. Because hydrogen atoms have a proton for a nucleus, this leaves the crew exposed to dangerous ionising radiation that breaks chemical bonds and damages DNA. “Hydrogen atoms are unavoidable space mines,” says Edelstein.

    The fatal dose of radiation for a human is 6 sieverts. Edelstein’s calculations show that the crew would receive a radiation dose of more than 10,000 sieverts within a second. Intense radiation would also weaken the structure of the spacecraft and damage its electronic instruments.

    All well and good and I have no reason to doubt Dr. Edelstein’s calculations (we medical physics types do have a professional interest in radiation dose and shielding, after all). But clearly Dr. Edelstein is not a fan of Star Trek, because even the most newbie of Trekkies knows about the Navigational Deflector Array. In addition, Starfleet vessels also have Bussard Collectors on the warp nacelles, which are the sci-fi-ified version of the Bussard ramjet.

    My point is, physics geeks and sci fi geeks clearly aren’t as overlapping sets as I had assumed. But where a medical physicist might see errant hydrogen atoms as dose, a different kind of physicist might see them as fuel. In a way we scientists do bring our own biases to the table…

  • new Last Airbender trailer

    It really looks great. The best part, as with the original animated series, looks to be Zuko (played by Dev Patel, star of Slumdog Millionaire).

    (can’t refer to it as Avatar anymore 🙂

  • Take me out, to the black

    This is just really, really cool – the crew of Endeavour STS-130 awoke this morning to the Ballad of Serenity.

    And NASA announced it on Twitter – and is even hosting the mp3 for download. Though you can also get it from the Firefly Wiki.

    funny comment from the thread at Whedon’s site: “and then the Space Shuttle program was cancelled. Coincidence?”

    here’s the lyrics:

    Take my love, take my land
    Take me where I cannot stand
    I don’t care, I’m still free
    You can’t take the sky from me
    Take me out to the black
    Tell them I ain’t comin’ back
    Burn the land and boil the sea
    You can’t take the sky from me
    There’s no place I can be
    Since I found Serenity
    But you can’t take the sky from me…

    NASA Serenity

  • Riddick is coming

    I am really looking forward to this!

    David Twohy — who wrote and directed the first two films in the series, “Pitch Black” and “The Chronicles of Riddick” — will helm from a screenplay he penned.

    Plot details are being kept under wraps. But insiders say the third outing will hew closer in tone to the cult hit “Pitch Black” and will focus on the character of Riddick as opposed to the universe he inhabits, which was the case with the critically panned “Chronicles of Riddick.”

    (via AICN)

    I really loved Pitch Black (and this was before I became a fan of Claudia Black from her SG-1 days) and for some reason it’s been heavily rotated on late night cable TV the past few weeks, and I just never tire of it.

    See, J – a trilogy after all 🙂

  • Caprica’s mirror

    I caught the two-hour series pilot of Caprica on On-Demand a few weeks ago and I have been meaning to comment on it. It’s definitely not a replacement for Galactica, but it clearly wasn’t intended to be. Galactica took an ancient science fiction idea, the question of what makes us human, folded it into religious belief, and created a literal mythos. But Galactica never really asked the question itself – what makes us human? – it showed us the answer as a given. The skin job cylons were presented as human from the start, both the original Earth/Kobol variant and the Colonial variant. The idea that they were still fundamentally machines was never really broached, except as “toaster!” epithets – with the exception of Model One, John. He was the only one to rage at his creators for making him merely human.

    spoilers – (more…)