The holy triumvirate of Kirk, Spock and Bones is fully cast – with Bones being played by Karl Urban (Eomer from LOTR), which IMHO is all kinds of awesome. Bones needs to have that badass vibe. Another inspired bit of casting is Winona Ryder as Spock’s mom; about time she played someone all responsible-like. And Sulu is being played by Harold of Harold and Kumar fame (Kirk’s policy on piloting the Enterprise while stoned remains unknown). I’m looking forward to this!
Category: Movies and Television
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Beowulf
I saw some initial trailers for this upcoming film, and thought it looked okay, but wasn’t particularly amazed. However, Harry at AICN has now seen the finished product and is raving about it. He writes,
It is here, where it is time to witness legend unleashed, heroism, sacrifice and the sort of greatness we are blessed to see envisioned from the imagination of the Dark Ages and trumpeted upon the whiz-bangery of 3D High Tech 21st century spectacle.
I have to admit that there is a primal quality to the ancient legends like Beowulf. The reason that Lord of the Rings was such a success was because it sought to tap into that primal source, and creating the depth to replace centuries of lore took JRR Tolkien decades. If the Beowulf movie truly brings the ancient legend – without any Hollywood tropes, but with its integrity intact – to the modern screen, then it really will be a spectacular epic.
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more strike links
Interesting article in Forbes about the WGA strike. Coming from a conservative business publication like Forbes, this kind of rhetoric is surprising:
“When 12,000 Hollywood writers traded pencils for picket signs this week, they took a huge risk. Even riskier: not striking. Losing to the studios now could doom their union as television gives way to the Internet.”
The Wall Street Journal also chimes in, in one of their blogs devoted to digital media, noting that the dispute is more akin to splitting a tip jar at Starbucks rather than a big bag of money:
Writers, quite reasonably, want to be paid more as their work moves online–to the Web, cellphones and anywhere else that gadgets send content in the future.
It’s an especially pointed desire, given that they were essentially shafted in the last digital transformation when DVDs and videocassettes appeared.
As John Aboud, who is a strike captain for WGA, noted in a comment to my post last week on the strike, that even with all the money Hollywood has made, most writers are not well paid (although those at the tippy-top are copiously compensated).
“Median earnings of all members of the Writers Guild is only $5,000,” he wrote.”“How can that be? About 48% of members do not earn any money from writing in a given year. Of those writers who do make some money, one quarter earn less than $37,700 a year.”
That means that being a writer is far, far less lucrative than grad school. This blows my mind.
Somewhat more tongue in cheek, here’s a vision of what TV might look like without the writer’s Guild:
Is it wrong to admit that I’m also a sucker for the word, “Guild” ? I blame the 3 Ds (Dune, Dungeons, and Dragons)
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Ron Moore walks the picket line
Battlestar Galactica’s head honcho is walking the picket line, too. He tells an anecdote:
“I had a situation last year on Battlestar Galactica where we were asked by Universal to do webisodes [Note: Moore is referring to The Resistance webisodes which ran before Season 3 premiered], which at that point were very new and ‘Oooh, webisodes! What does that mean?’ It was all very new stuff. And it was very eye opening, because the studio’s position was ‘Oh, we’re not going to pay anybody to do this. You have to do this, because you work on the show. And we’re not going to pay you to write it. We’re not going to pay the director, and we’re not going to pay the actors.’ At which point we said ‘No thanks, we won’t do it.’”
[…]
Moore, like most of his fellow writers, was extremely bothered by the studios attempting to designate content shown on the web as “promotional,” even when that content has sponsors and advertisers. “Their position continues to be that this is ‘promotional.’ That they can have it promotional material, free of charge and they can make you do the work and they don’t have to compensate you for it and they don’t have to credit you for it. It’s undercutting everything that the writers have built up in other media. The notion that just because it’s on your computer as opposed to your television set is absurd. It’s an absurd position for them to take, but, you know, if they can pull it off, they’re at the moment of a watershed change of how your media is delivered to you. Your television and your computer are going to become the same device within the foreseeable future. That reality is staring us in the face.”Also worth mentioning is Babylon 5 creator J. Michael Straczynski’s explanation of what is at stake, and this anecdote about “profits” which is really quite eye-opening:
I have a share of the net profits of B5. But by the terms of the deal that was made, WB takes 60% of all monies in overhead, and can charge almost anything they want against profits. If a stage used on some other WB project being shot in Bolivia burns down, they can charge it against B5. Consequently, B5 has never shown a profit even though it’s made half a billion dollars just in DVD sales, leaving out foreign sales, syndication, merchandising and so on.
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the WGA strike
I confess that I don’t know a lot about the TV and movie business. There’s a general “pox on both your houses” vibe going around, but after some casual reading I came across this which basically made me a believer. The writers are asking for 8 cents per DVD, and some cut of the internet distribution profits. That seems reasonable, and even kind if humble once I learned more details about the feudal nature of the industry. From the link,
Last night I went on NBC.com, clicked on “The Office.” You can watch entire episodes of 10, 15 series. OK. You click on the office, what do you get? You get a commercial for Fidelity Investments. Then you watch the cold open, then you get a commercial for Target. They are monetizing these episodes already. OK?
Carlton Cuse was telling me “Lost” does not run a second network rerun. So writers on that show are not getting the typical nice check you usually get when working on a successful series. That goes right to the Internet. They’re making money on it. We’re not making money on those.
We must realize that that’s the kind of issue we cannot let stand. That’s the way my kids watch TV. They hear about a show, they look for it on the Internet. Soon, when computers and your TV are connected, that’s how we’re all going to watch. OK? Those residuals are going to go from what they are toward zero if we don’t make a stand now.
There’s a lot more, and it seems clear to me who to root for. If you want to read more on the issue, here’s some background on the negotiations and evidence that the strike will have ripple effects to advertisers. Lastly, there’s a blog run by WGA members that gives you their perspective.
To be honest, I hope the strike does serious damage to the established order of things. Any system where Firefly gets canceled and “Ugly Betty” gets greenlit is so ridiculously broken that it needs replacing anyhow.
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Firefly screenshots
I was rewatching Firefly to take a break from Last Exile, and was moved to take some screen shots from the pilot episode. One thing that strikes me about this series is how hilarious it can be. For example, the joke at which the crew is laughing about here:
has me laughing aloud every single time. I know the joke is coming; it just never gets old. Hearing Wash tell Mal, “You’re a psychotic!” with genuine admiration is just icing on the cake.
this scene is pretty hilarious too, in a much sweeter way:
Anyone with a sibling is bound to smile at what Simon says to River: “well, you’re a dummy.” Context is, of course, key.
Levity aside, the drama of this scene also always feels like it’s my first viewing:
Actually, their first encounter with that ship is even more so, but I’m too lazy to go back and get the screencap. You really buy into the threat; every character plays the tension perfectly even in casual conversation about the Reavers. Memorable quote: “If we’re lucky, they’ll do it in that order”. Heh.
At any rate, she doesn’t look like much:
but I am already as fond of her as I am of old NCC-1701.
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Battlestar Galactica Razor: Flashbacks 1-4
SciFi has a series of seven “flashback” teaser webisodes that they are revealing each week in the runup to the broadcast of Galactica: Razor. There have been four flashbacks aired so far, and while they appear sporadically on YouTube, the best way to view them is directly on SciFi’s website. Here are links and brief description of the four flashbacks so far:
- Day 4,571. “William “”Husker”” Adama prepares for his rookie combat mission as a Viper pilot.
- The Hangar. A moment in Galactica’s hangar rattles young Adama’s nerves before his first combat flight.
- Operation Raptor Talon. Vipers and Raiders face off in a brutal firefight above a remote world defended by the Cylons.
- Free Fall. Losing his Viper is just the start of rookie William Adama’s problems today.
Intriguingly, these flashbacks are set during the First Cylon War, and center on Bill Adama as a young rookie. The plot of Razor however will center on Lee Adama’s command of the Pegasus. So it will be quite interesting to see how these elements tie together. Incidentally, the DVDs are also available for pre-order on Amazon.
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Which action hero are you?
I’m a sucker for quiz sites. There’s a new one called Brainfall that’s loadde with movie and television quizzes. Example:
Which Action Hero Are You?
You are MacGyver. Ingenuity is your game. Don’t leave home without your sundry office supplies: rubber bands, paper clips, and the like. Life and death situations are your forte, but you may be getting too old for it. In today’s eyes you’re an old legend, but your first season mullet will always be remembered.apparently, I am also Dumbledore (which character in Harry Potter are you?) and a combination of both Belle and Pocahontas (Which Disney Princess are you?).
Obviously the accuracy of any single quiz is always suspect, but I think that certain outcomes are going to be correlated. Thus, if you had a lot of people take a lot of these tests and compared the results in aggregate, you might actually get a pretty good picture of someone’s personality. Part of this might be because movie and television characters are in a sense personality archetypes; they are designed to be somewhat more focused on certain traits (of usefulness/threat to the protoganist or for the sake of the plot). So they make pretty good basis functions for personality. One might even call them, ahem, personality prototypes.
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Galactica season 4 delayed to April
suck it up, meat.
Ronald D. Moore, the executive producer who runs “Battlestar Galactica,” is gearing up for the long goodbye by taking on a new task. He will step into the director’s chair for the first time next season as his dramatic reinvention of the hokey 1970s’ space opera treks toward the end. The final 20-episode run will kick off in — you read it here first — early April.
at this point i am resigned to the idea that season 4 will probably indeed be stretched out to 2009 to milk every last drop from us. Moore directing the final arc doesn’t really do much for me.
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The Force is Wii us
the Wiisabre is at last a reality. This isn’t some hack flash-based game, but the real thing:
LucasArts to Unleash the Force on the Wii in Spring 2008
Star Warsâ„¢: The Force Unleashedâ„¢ Coming to Nintendo’s Platform with Exclusive Duel Mode
SAN FRANCISCO, Calif. – Sept. 18, 2007 – LucasArts today revealed that Star Warsâ„¢: The Force Unleashedâ„¢ will come to the Wiiâ„¢ home videogame system from Nintendo next spring, offering owners the unique chance to live out their Jedi fantasies by wielding the Wii Remoteâ„¢ as a lightsaber while using the Nunchukâ„¢ controller to torment foes with their Forceâ„¢ powers.
The Force Unleashed casts players as Darth Vader’s “Secret Apprentice” and promises to unveil new revelations about the Star Wars galaxy. The game’s expansive story is set during the largely unexplored era between Star Wars: Episode III Revenge of the Sith and Star Wars: Episode IV A New Hope. In it, players will assist the iconic villain in his quest to rid the universe of Jedi – and face decisions that could change the course of their destiny.
The Wii version, in development by Krome Studios, will also add an exclusive duel mode in which players can compete head-to-head with their friends to determine the ultimate Jedi Master.
“The Wii is a great platform for The Force Unleashed, because the console’s motion-oriented controllers really bring the game to life,” said Jim Ward, President of LucasArts. “We’ve worked hard to make the Wii version of the game unique in order to truly let you unleash the Force.”
Oh man. Oh man. Oh man.